In J.R.R. Tolkien's world, Hobbits are quiet, unassuming people who are wary of the "big folks" and generally want to be left alone. So, it would have been a wise move not to file a copyright infringement suit against the Tolkien Estate Limited and the Tolkien Trust. Especially when the basis for your suit is an unauthorized sequel to "The Lord of the Rings."
Yet, that is exactly what happened in a case in the Central District of California, in the case of Polychron v. Bezos.[ref]Polychron v. Bezos Case 2:23-cv-02831-SVW-E. Central District of California 2023 Order Granting Defendant's Motion to Dismiss[/ref] A writer by the name of Demetrious Polycron wrote a sequel to "The Lord of The Rings" titled "The Fellowship of the King." He registered it with the U.S. Copyright Office on November 21, 2017, and the same day he wrote to the grandson of J.R.R. Tolkien touting his book.[ref]Id.at 2[/ref] There was no response.[ref]Id.[/ref]
In November of 2019, lawyers for Mr. Polychron wrote to the Tolkien Trust requesting a license. His request was denied citing a long-standing policy against licensing sequels.[ref]Id. at 7[/ref] Undeterred, he tracked down Tolkien's grandson in the U.S. and hand delivered a copy of the manuscript to the residence.[ref]Id.[/ref]
Now he alleges in his lawsuit that the Amazon streaming show "Rings of Power" set in the years before "The Lord of the Rings" infringes his copyright in "The "Fellowship of the King."[ref]Id. at 9[/ref]
The problem is that Plaintiff's work is an unauthorized derivative work. The Ninth Circuit has ruled that a derivative work is one which "would have been considered an infringing work if the material which it derived from an existing work had been taken without the consent of the copyright proprietor of such preexisting work".[ref]Mirgae Edtions, inc. v, Albequerque ART Co. 856 F.2d 1341 (9th Cir. 1988)[/ref] Precisely what has occurred here.
Two cases weigh heavily against the Plaintiff here. The first is Anderson v. Stallone[ref]1989 WL 206431 C.D. Cal 1989[/ref] regarding an unauthorized treatment for a sequel to "Rocky III" and Salinger v. Colting[ref]641 F.Supp 2d 250 (SDNY 2009)[/ref] regarding an unauthorized sequel to "Catcher in the Rye." Both were found that due to their status as unauthorized derivative works, they had no standing to claim either copyright (in the Salinger case) or standing to sue for infringement (in the Stallone case).
"Here, Plaintiff has admitted that the characters were taken directly from ‘The Lord of the Rings'…he has also admitted that his series is intended to be a sequel to ‘The Lord of the Rings,' so every plot point flows from the ending of ‘The Lord of The Rings' series."[ref]Polychron at 11[/ref]
"Accordingly, Plaintiff's work is an unauthorized derivative work that is not entitled to copyright protection…Plaintiff's work is intended to be a literal continuation of a copyrighted work, but was not authorized to use the Tolkien intellectual property, and Plaintiff has sued the original creators, section 106(2) of the Copyright Act forecloses such a claim."[ref]Polychron at 12[/ref]
But what if Plaintiff's work contained new and original expression?
According to the Court, this fails as well, since the works are not substantially similar to each other. The problem is that you have to subtract out all the elements that appear in "The Lord of the Rings."
Thus "Plaintiff's references to characters created by J.R.R. Tolkien such as Elanor, Marigold, Durin Galadriel, Elrond and Celebrimbor are unprotectable elements. The other general similarities such as the types of species who inhabit Middle Earth, magical rings, and the fight against evil are also either attributable to Tolkien or flow from the world he created."[ref]Polychron at 13[/ref]
"After filtering out these unprotectable elements, Plaintiff does not plausibly plead any similarities between his work and "Rings of Power."[ref]Id.[/ref]
Thus, this case underscores the ever-present danger of "fan fiction." If the copyright holder allows fan fiction to proliferate, the possibility of a suit alleging infringement of the fan fiction work can arise.
But for now, case dismissed. And presumably sent to Mount Doom to perish in the flames like the "one ring to rule them all."
"This lawsuit is about Piracy, Greed and Revenge."
So opens Frederick (Rick) Allen's amended complaint against the State of North Carolina for effectively injecting his copyrighted video footage into the public domain. Yet, now, North Carolina attempts to end the case by repealing "Blackbeard's Law," the statute at the heart of the controversy.
I have written about this case before.[ref]Supreme Court Rules States Have Sovereign Immunity From Copyright Infringement Suits: Is Your State Government the Next "Pirate Bay"?[/ref] The basic facts are:
The case revolves around video footage of the efforts to salvage the wreck of Blackbeard's famous pirate ship, Queen Anne's Revenge. The QAR sank off the coast of North Carolina in 1718, with Blackbeard and most of his crew escaping. The QAR lay on the sea floor for over 300 years before being discovered in 1996 by the salvage company Intersal. The State of North Carolina then entered into a salvage agreement with Intersal in 1998.
In turn, Intersal contracts with underwater videographer Frederick Allen (the Plaintiff here) to take exclusive video of the salvage process. He spends 17 years documenting the salvage process. Allen registered 13 separate copyrights to his work.
In 2013, the State started to make use of the video material online. Allen objected and commenced sending DCMA takedown notices to the State. Allen, Intersal and the North Carolina Department of Natural and Cultural Resources reached a settlement agreement, wherein the State paid Allen $15,000, and the parties' respective rights to the footage was established.
This should have settled things, but of course did not. This is why the case ends up with a SCOTUS opinion in 2020.
The State of North Carolina resumed online use of the video. Allen objected and commenced sending DCMA takedown notices to the State.
The State responds by passing the following law in August of 2015:
‘All photographs, video recordings, or other documentary materials of a derelict vessel or shipwreck or its contents, relics, artifacts, or historic materials in the custody of any agency of North Carolina government or its subdivisions shall be a public record pursuant to Chapter 132 of the General Statutes. There shall be no limitation on the use of or no requirement to alter any such photograph, video recordings, or other documentary material, and any such provision in any agreement, permit, or license shall be void and unenforceable as a matter of public policy.'
And then the State of North Carolina resumed online use of the video.
"In other words, the State of North Carolina is not only a pirate, but has attempted to legislatively put all of Allen's copyrights in the public domain."[ref]Supreme Court Rules States Have Sovereign Immunity From Copyright Infringement Suits: Is Your State Government the Next "Pirate Bay"?[/ref]
The State of North Carolina defended the lawsuit on the grounds of sovereign immunity. The case wound up in front of the Supreme Court of the United States. There, the Court ruled that the State did have sovereign immunity, but only because the Copyright Remedy Clarification Act passed by Congress to allow such copyright lawsuits against States was improperly passed.[ref]Id.[/ref]
Yet, there was some light beamed at the Plaintiff's case. Justice Kagan wrote:
"All this raises the question: When does the Fourteenth Amendment care about copyright infringement? Sometimes, no doubt. Copyrights are a form of property. (citation omitted). And the Fourteenth Amendment bars the States from ‘depriv[ing]' a person of property ‘without due process of law.' But even if sometimes, by no means always. Under our precedent, a merely negligent act does not ‘deprive' a person of property. (citation omitted) So an infringement must be intentional, or at least reckless, to come within the reach of the Due Process Clause."[ref]Allen v. Cooper 2020 WL 1325815, at 7[/ref]
Allen returned to the District Court for permission to amend his original complaint to allege that the State had "deprived him of his property without due process of law."
The Judge agreed:
"In his ruling, US District Court Judge Terrence W. Boyle wrote that ‘the Takings Clause would be stripped of much of its meaning if the government could simply bar suits for just compensation. State governments could take property whenever they wanted without providing any compensation unless they chose to waive their immunity.'"[ref]North Carolina film-maker's copyright case against the state revived after Supreme Court denial[/ref]
On February 8, 2023, Allen filed his amended complaint. Among the counts added were:
- Takings under the 5th and 14th Amendment by retaining and refusing to return his "physical media containing copies of his work."
- Takings under the 5th and 14th Amendment due to passage of "Blackbeard's Law" which "destroys all economically beneficial and productive use of Allen's copyrights."
- A Declaration that Blackbeard's Law is an illegal "Bill of Attainder" in violation of the U.S. Constitution and a court order revoking it.
- A Declaration that Blackbeard's Law is an illegal Ex Post Facto under the U.S. Constitution.
- A Declaration that Blackbeard's Law "impairs the obligations of an existing contract" in violation of the U.S. Constitution.
- A Declaration that the Defendants have "under color of law, deprived Plaintiff of rights guaranteed by the United States Constitution."[ref]Allen v. Cooper Second Amended Compliant Civil Case No.5:15-cv-627-BO[/ref]
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